Tahir Atayev’s Orchestra will present the concert ‘Tenderness’ on 26 March at the Magtymguly National Music and Drama Theatre in Ashgabat. This was reported by Turkmenportal. The concert begins at 7.00 pm. The programme features lyrical compositions dedicated to the themes of love, warmth and memories. According to the organisers, the performance is aimed at a wide audience and will combine instrumental and vocal pieces.
A major art exhibition and awards ceremony, organised by the Academy of Art of the Turkic World, took place in Baku. The event brought together renowned painters and cultural figures from across the Turkic world and continued the creative programme launched last year in Istanbul. This was reported by IIC. Among the guests of honour were Azerbaijan’s Deputy Minister of Culture Murat Huseynov, TURKSOY Secretary-General Sultan Raev and the President of the Academy of Art of the Turkic World, Sakit Mammadov. Turkmen artist Amanmyrat Modyev received the Academy’s medal for his special contribution to the promotion of the cultural and artistic values of the Turkic peoples. Amanmyrat Modyev was born on 11 November 1983 in the Babadayhan etrap of the Ahal velayat. He teaches at the State Academy of Arts of Turkmenistan, passing on his experience to the younger generation. Earlier, in 2022, the painter won a competition among artists from Central Asia and Kazakhstan, and was also awarded the President of Turkmenistan’s ‘Türkmeniň Altyn asyry’ prize. The exhibition took place from 13 to 17 March at the Art Gallery of the Turkic World and showcased the finest works of art by the Turkic peoples, attracting great interest from culture enthusiasts.
In the early Middle Ages, the Merv oasis, known as the ‘Mother of Cities,’ became the center of a unique architectural style – fortified manor-palaces. These monuments along the Great Silk Road served not only as residences but also as administrative centers and key hubs of trade between the 5th and 9th centuries, according to the IIC. Particular attention is drawn to the Greater and Lesser Gyzgala – the largest adobe fortresses in the world, distinguished by their semi-circular walls that naturally cooled interior spaces. These two-story structures have preserved their strength for over one and a half millennia due to special additives in the mudbrick. Archaeological findings, including a bronze pendant depicting the goddess Anahita, testify to the high level of culture in the region. The Durnaly fortress performed both defensive and customs functions, while the discovery of massive ceramic vessels confirms the oasis’s status as a major agricultural exporter. Haram-Koshk, an example of private architecture from the 9th century, with its central domed hall, became a foundation for the classical architecture of Central Asia. Remains of glass vessels for incense, intricate ganch (clay gypsum) carvings, and ostraca bearing inscriptions demonstrate a high level of literacy and a developed accounting system of that time. This ancient heritage continues to influence the modern architecture of Turkmenistan. Elements of medieval design are reflected in the white-marble city of Ashgabat and the “smart” city of Arkadag, while the monuments of Mary velayat remain symbols of national memory and a source of inspiration.
In Baku, at the modern ‘Circus Sea Breeze’ complex, the ‘Galkynysh’ National Equestrian Games Group put on a spectacular performance alongside artists from the State Circus of Turkmenistan and the State Equestrian Circus named after Gorogly in the city of Arkadag. This was reported by the press service of the Foreign Affairs Ministry of Turkmenistan. The Turkmen artists performed traditional horseback acrobatics and stunts on Ahal-Teke horses, delighting the audience with their grace and the harmony of their interaction with the horses. ‘Galkynysh’, winner of the Grand Prix at the Monte Carlo International Circus Festival, confirmed the high professional standard of Turkmen circus artists. The programme also included other circus genres, making the show rich and varied. The performance was met with prolonged applause. ‘Galkynysh’s tour of Azerbaijan will continue until 30 March, and such cultural exchanges help to strengthen friendship and cooperation between Turkmenistan and Azerbaijan.
The Ministry of Culture of Turkmenistan has established a research and creative group to carry out ethnographic research in the country’s regions. The group comprises cultural figures, academics, journalists and students. This is reported on the ministry’s website. The research work began in the Lebap velayat. From 10 to 12 March, members of the expedition visited a number of etraps and towns in the region, where they gathered material on folk decorative and applied arts, folklore and musical traditions, as well as on the process of making national musical instruments — the dutar and the tuyduk. In addition, the group members learnt about the distinctive features of preparing national dishes, family and wedding customs, as well as the traditions of making national clothing. During the trip, the researchers also studied the national practice of breeding Alabay dogs.
The Nowruz holiday is one of the most ancient and enduring cultural traditions in human history. It symbolizes the arrival of spring, the awakening of nature, and the transition of life to a new stage. March 21 — the day of the vernal equinox — represents not only an astronomical phenomenon but also a date that for thousands of years has been perceived by many peoples as the beginning of a new year. For the Turkmen people, Nowruz is not merely a tradition or a festive celebration; it represents a manifestation of social unity, spiritual renewal, and national identity. Today, Nowruz is celebrated not only as a holiday of a particular state or nation but is also widely recognized as a cultural heritage of international significance. This demonstrates the deep historical roots of the holiday and confirms that it has not lost its relevance in the modern era. The origins of Nowruz are associated with ancient agricultural civilizations. According to scholars’ assumptions, the history of this celebration dates back more than three thousand years. The word ‘Nowruz’ originates from the Persian language and means ‘new day’. In ancient Eastern societies, the arrival of spring symbolized not only the change of seasons but also the beginning of a new economic year and a new agricultural cycle. According to historical sources, Nowruz was particularly widely celebrated in ancient Persian states as an official public holiday. During the Zoroastrian period, the arrival of spring was regarded as a symbol of the victory of light over darkness. This idea, in turn, reflected the harmony between nature and the spiritual world of humanity. In the 21st century, the international significance of Nowruz continues to strengthen. In 2009, the Nowruz holiday was included by UNESCO in the Representative List of the Intangible Cultural Heritage of Humanity. Furthermore, in 2010, the United Nations General Assembly adopted Resolution A/RES/64/253, according to which March 21 was officially proclaimed the International Day of Nowruz. According to expert estimates, more than 300 million people around the world currently celebrate this holiday. This figure shows that Nowruz is recognized as a national holiday while also being regarded as a universal cultural phenomenon. In the worldview of the Turkmen people, Nowruz has traditionally been perceived as the beginning of the new year. In ancient times, harmonious coexistence between humans and nature was an essential aspect of Turkmen life. Therefore, the first days of spring were welcomed with particular joy and spiritual uplift. On the eve of Nowruz, the tradition of cleaning and tidying homes is widely practiced. This custom symbolizes both the establishment of physical order and spiritual preparation for a new stage of life. A clean home is considered a sign of welcoming the new year with good intentions. One of the main symbols of the holiday is the preparation of ‘semeni’ (a traditional Turkmen sweet dish made from sprouted wheat grains, flour, and sugar, prepared and eaten especially during the Nowruz holiday). The germination of wheat grains represents the continuity of life, abundance, and growth. ‘Semeni’ serves as a festive dish while also functioning as a cultural symbol passed down from generation to generation. During the celebration of Nowruz, national games, wrestling competitions, horse races, as well as musical and artistic performances are organized. These events are significant both as a form of entertainment and as an expression of the cultural unity of society. The participation of representatives from different generations in the festive celebrations helps strengthen the spiritual bonds between them. Another important feature of Nowruz is its unifying spiritual role in society. During the holiday, people congratulate one another, visit relatives and friends, show respect to elders, and try to forget past grievances. In this way, the celebration contributes to strengthening social harmony and fraternal relations. Nowruz is celebrated not only in Turkmenistan but across a number of countries in the Middle East, the Caucasus, and South Asia, including Iran, Azerbaijan, Kazakhstan, Uzbekistan, Tajikistan, Turkey, Afghanistan, and several other states. The diversity of Nowruz traditions in different countries demonstrates its rich cultural variety. For example, in Iran a special festive table known as ‘Haft-sin’ is prepared, where seven symbolic items associated with spring are displayed. In Central Asian countries, folk creativity and equestrian traditions form an important part of the celebration. In some countries there is also a custom of lighting bonfires and jumping over them on the eve of the holiday. According to ancient beliefs, this ritual symbolizes the purification of a person from hardships and negative energy. As international experience shows, Nowruz is a cultural tradition that also functions as an important instrument of cultural diplomacy between countries. The participation of different states in events dedicated to Nowruz contributes to strengthening friendly relations among nations. This circumstance is particularly significant in the context of promoting the ideas of peace and mutual understanding in the modern world. In the contemporary period, the Nowruz holiday acts as an important cultural phenomenon that increases the interest of the younger generation in national values. The organization of events dedicated to the holiday in schools, higher educational institutions, and cultural centers helps strengthen young people's respect for historical heritage and folk traditions. At the same time, Nowruz also carries significant ecological meaning. The holiday promotes such values as respect for nature, the preservation of green spaces, planting vegetation, and maintaining natural balance. For this purpose, in Turkmenistan, every year on March 21, in accordance with a Decree of the President of the country, a nationwide tree-planting campaign is held. This initiative aims to transform the country into a flourishing green land, create forest zones, and ensure proper care of newly planted trees. Such initiatives gain particular importance against the backdrop of modern environmental challenges and contribute to fostering a responsible attitude toward nature within society. Nowruz also serves as a symbol of national tradition and state cultural policy along with comprehensive initiatives implemented at the national level. In Turkmenistan, the preservation of national traditions and cultural heritage is one of the priority directions of state policy. Large-scale work in this field is clearly reflected, in particular, in the widespread celebration of Nowruz at the state level. Government-organized events, festivals, national games, and artistic performances create a festive atmosphere and contribute to fostering respect for national traditions among young people, preserving the cultural heritage of the nation, and strengthening the spiritual values of society. The cultural policy promoted by the President of Turkmenistan, Serdar Berdimuhamedov, as well as by the National Leader of the Turkmen people, Gurbanguly Berdimuhamedov, ensures the successful implementation of such initiatives and plays an important role in promoting the rich historical and cultural heritage of the Turkmen people on the international stage. Nowruz serves as a spiritual force that unites society. It promotes universal human values such as peace, unity, and mutual respect. Consequently, this holiday represents a heritage of the past while also serving as a significant element of a cultural strategy oriented toward the future. According to the opinions of a number of researchers, Nowruz is one of the oldest celebrations that has survived to the present day. Its preservation across thousands of years in various cultures demonstrates that Nowruz is regarded as an important part of the shared cultural heritage of humanity.
The State Circus of Turkmenistan will host festive performances to mark the Nowruz holiday. A special programme for residents and visitors to the capital will take place from 23 to 28 March 2026. This was reported by IIC. One of the main acts will be a performance by the ‘Galkynysh’ equestrian troupe, renowned for its horseback acrobatics and performances on international stages. Audiences will also see a programme by the ‘Türkmen jigitleri’ troupe, demonstrating elements of traditional equestrian art. The programme includes performances by acrobats, jugglers and tightrope walkers. Aerial gymnasts will perform under the circus dome, whilst clowns will present comic acts for the audience. The festive performances are dedicated to Nowruz — the festival of the spring equinox, symbolising the renewal of nature and the arrival of spring.
The mausoleum of the Islamic theologian and Sufi sheikh Yusuf Hamadani, located within the State Historical and Cultural Reserve ‘Ancient Merv,’ remains one of the key monuments of Turkmenistan, the IIC reports. Constructed in the 12th century, the complex combines the historical heritage of the Seljuks, the flourishing of Eastern philosophy, and the precision of medieval architecture. During that era, Merv – known as ‘Maru-shahu jahan’ (‘King of the World’) – was an intellectual capital of the Islamic world, where prominent scholars worked, including Omar Khayyam. Yusuf ibn Ayyub al-Hamadani, also known as Hoja Yusuf Baba, followed a path from an outstanding jurist of the Baghdad Nizamiyya school to a spiritual mentor and the founder of the Khwajagan Sufi tradition. His teachings, based on social engagement and the rejection of ostentatious ritualism, became an integral part of the cultural identity of Central Asia. The mausoleum erected over his grave after 1140 reflects the architectural achievements of the “Seljuk Golden Age.” The transition from a cubic base to a dome symbolizes the path of knowledge—from the earthly to the divine. Researchers note that the original dome was likely double-layered: the inner shell provided acoustics, the outer one served as a landmark, while the air gap between them regulated the internal temperature. The façades are decorated using the “hazarbaf” technique, in which bricks laid at different angles create a play of light and shadow, complemented by calligraphy and vegetal ornaments. Despite the destruction of Merv by the armies of Genghis Khan in 1221, the mausoleum survived due to its strong masonry and the special status of the site, which continued to serve as a place of pilgrimage. During the Timurid period, the complex was expanded to include mosques and caravanserai-like guest houses. Today, the mausoleum of Hoja Yusuf Baba remains a center of spiritual attraction: for scholars, it is a valuable source of knowledge about Seljuk technologies and aesthetics; for believers, it is a place of an unbroken spiritual tradition that has endured for more than nine centuries.
The Art Gallery of the Union of Artists of Turkmenistan has opened a joint exhibition by People's Artist Annadurdy Almamedov and painter Berdi Charyev, entitled ‘Art in Two Perspectives.’ The exhibition will run until 30 March, according to Infoportal. The exhibition brings together different artistic styles: Almamedov's lyrical landscapes and still lifes and Charyev's figurative and philosophical paintings, filled with symbolism and metaphors. Despite their differences, both artists address themes of love for their native land and human labour. The exhibition features panoramic views of Kopetdag, still lifes with bouquets of lilacs, poppies and roses, as well as architectural sketches of the old Turkmen city.
Since the beginning of the year, craftswomen at the Gyzylarbat Art Carpet Weaving Enterprise of the ‘Türkmenhaly’ State Association have produced 525 square metres of carpets, exceeding the plan by more than 14% (65 square metres). This was reported by the news website Turkmenportal. The value of the products manufactured exceeded 989,000 manats. The enterprise continues to restore old carpet designs, develop new patterns and weave large-format products. The craftswomen dedicated their achievements to International Women's Day.
A Turkmen delegation visited the National Museum of China as part of events to develop cultural and humanitarian cooperation between Turkmenistan and the People's Republic of China. This was reported by the IIC. The highlight of the visit was a tour of a thematic exhibition featuring rare historical artefacts, from ancient terracotta figurines to painted scrolls. The exhibition was dedicated to the image of the so-called ‘heavenly horses’, which occupy a special place in the cultural traditions of both countries. For the Turkmen people, the Ahal-Teke horse is an important national symbol and an integral part of their historical heritage. In Chinese culture, the image of the legendary horse has long been associated with strength, nobility and prosperity. During the tour of the exhibition, the participants noted the historical connection between the two cultures, which dates back to the times of the Great Silk Road, when the exchange of traditions and ideas contributed to the formation of a common cultural space. It was noted that the exhibition was a sign of respect on the part of China for the national traditions of Turkmenistan and could contribute to the further development of museum cooperation, including the organisation of joint exhibitions and restoration projects.
On 6 March, Deputy Chairwoman of the Cabinet of Ministers of Turkmenistan Bahar Seyidova reported on the work of the supervised sector for January–February 2026 during a government meeting. This was reported by the state news agency TDH. During this period, the country held events dedicated to the 2026 motto ‘Independent Neutral Turkmenistan − the Homeland of Purposeful Winged Horses’, the 35th anniversary of independence, and national holidays. Cinemas in the capital organised film screenings and concerts, while cultural institutions – libraries, museums and historical and cultural complexes – continued to provide services to the public. An inter-state competition of television films from CIS countries, ‘The Flight of the Horse: Strength and Grace’, was also announced. The Oguzhan ‘Türkmenfilm’ Association held a series of events in Ashgabat and the velayats, including a week of films made during the years of independence. A forum was held in the capital to mark the presentation of two special awards by the TURKSOY organisation to the film ‘The Composer’. In addition, a joint Turkmen-Chinese cultural festival, ‘Melodies of the Silk Road — A Joyful Spring Festival’, was held. The archaeological exhibition ‘Ancient Civilisations of Turkmenistan’ continues in Rome. After hearing the report, President of Turkmenistan Serdar Berdimuhamedov emphasised the need for further development of the cultural sphere, the introduction of digital technologies in the work of libraries and museums, and instructed to continue work on the preservation of historical and cultural heritage and the preparation of upcoming cultural events.